709C'est issu de TV.com, à ne pas lire si vous ne l'avez pas vu :
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(...) In the car on the way to an obligatory golf outing that neither of them really felt like attending, Pete got philosophical with Don: "You think you're going to begin your life over and do it right, but what if you never get past the beginning again?" As Mad Men winds down—T-minus five episodes to go!—and we keep marching helplessly forward with Don, Roger, and the rest of the gang, a certain sense of impending finality permeates everything that Mad Men puts forth. The series isn't pretending the end isn't nigh; in fact, the end for some of its characters may've already come. Don showing Sally the whorehouse he grew up in to close out Season 6 felt like the sort of event you'd expect to find in a series finale, and with that in mind, part of me feels like Season 7, and especially Season 7B, is just the epilogue to a story that has already concluded. The '60s are over. Don's marriage is over. SC&P's struggles to survive are largely over (or at least not as much of a plot fixture as they've been in the past). Many of the characters we've followed for the past seven seasons have achieved some level of "victory," or at least something we would've assumed passed for a win when we first met them: Joan is a partner with immense wealth of her own, Peggy is a respected professional who's feared by her subordinates, Pete's career is thriving, Roger is still in charge, and Don's big secret may have ruined everything, but even that was only temporary.
However, the underlying current in both last week's premiere and this week's follow-up can be summed up pretty well with Pete's sentiment. Finally, someone managed to accurately describe the melancholy that infects everyone on Mad Men—even our supposed "winners." What happens to a character who keeps going even after their story ends? Do they reject their ending and continue to get caught in a cycle of endless beginnings? On this show, it seems like that's exactly what happens. There isn't much momentum in this back half of Season 7 because there doesn't need to be, and while that can admittedly make for some boring and convoluted TV—the biggest downside of "New Business"—we're currently experiencing the hangover on the morning after the decade-long bender that was the 1960s, and all the old drunks are standing around, popping Advil, and wondering where their lives went so wrong. (...)
Ils mettent des mots sur une pensée bien confuse : je suis archi-d'accord, en particulier avec les parties en gras.
Le cafard que ça me laisse, j'ai pas ressenti ça depuis la dernière saison de Six Feet Under.

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